Currently on show
State of the Land
An exhibition of paintings and graphics with works by: Lindsay Ford, Gilbert Jonasi, Lovemore Kambudzi, John Kotze, Helen Lieros, Webster Mubayirenyi, Munyarandzi Mugorosa, Daryl Nero, Kate Raath, Greg Shaw, Cosmas Shiridzinomwa and Richard Witikani. Saturday 5th May 2018 at 12:00 noon. Exhibition duration until mid June.
Coming soon
Paintings: A Select Collection
with works by Simon Back, George Churu, Lovemore Kambudzi, Admire Kamudzengere, Helen Lieros, Shepherd Mahufe, Patrick Makumbe, Kufa Makwarara, Epheas Maposa, Misheck Masamvu, Luis Meque, Munyaradzi Mugorosa, Thakor Patel, Robert Paul, Cosmas Shiridzinomwa, Stephen Williams, [...]
Mural Paintings
by Helen Lieros
The story and depiction of an extraordinary artistic undertaking by the Zimbabwean artist Helen Lieros to paint huge murals in the Greek Orthodox Cathedral of Archangels Michael and Gabriel at Maputo, Mozambique over the period 1996 – 2013.
This 300 page book traces, through its generous illustrations of the murals, drawings, sketches and descriptive texts, the artist’s struggle – mentally, physically, artistically and spiritually – to execute some twenty murals and other works.
Currently available for sale at US$50 a copy from Gallery Delta, or online from Reelhouse using the link below:
$55.00
The Gallery
Established in 1975, Gallery Delta is an important venue in Harare for changing exhibitions of Zimbabwean paintings, graphics, mixed media sculptures and ceramics. The gallery is situated in the former home of Robert Paul (1906 – 1980), now regarded as Zimbabwe’s finest landscape painter. Built in 1894 it may well be the oldest extant house in the city and, now restored, provides a unique historical, architectural and artistic environment for the presentation and sale of contemporary art. This website aims to provide information about Zimbabwean contemporary visual art and some of its acknowledged artists. With few books on the subject, it is a distillation and small history for critics, collectors, students and the public. We hope it provokes interest and provides a meaningful function for all its researchers, and for art and artists.
